製作：

(株)鈴木企画

クライアント：

山田水産(株)

日本初、薬を使用せずに、鰻の養殖を行う「無薬養鰻」を実現した山田水産。彼らのものづくりの真髄と、鰻の完全養殖への挑戦に迫った記録映像。

Production：

SUZUKI KIKAKU INC.

Client：

Yamada Suisan Co., Ltd.

Based in Shibushi, Kagoshima, Yamada Suisan was the first to achieve “organic eels,” or cultivating eels without any chemicals. This documentary captures the passion, the commitment to “Made in Japan,” and the goal of full-cycle cultivation of Yamada, the biggest producer of grilled eels in Japan. At the core of their craftsmanship, “Doing the obvious thing seriously.”

製作：

(株)NHKグローバルメディアサービス／(株)エネット

クライアント：

NHK

体一つで障害物を乗り越えるパルクールは若者に人気の都市型スポーツ。アクロバティックな技を競うフリースタイルの日本王者鈴木智也に密着し、この競技の神髄に迫る。

Production：

NHK Global Media Services, Inc. / ENNET,INC.

Client：

NHK (Japan Broadcasting Corporation)

Parkour, the sport of gracefully traversing obstacles, has been climbing in popularity thanks to social media. The winner of the Parkour Japan Championships, 23-year-old Tomoya Suzuki, amazed audiences with his incomparable athleticism. The new generation is bringing parkour to a new era. This film depicts his goal of creating new moves to wow the world.

製作：

仲信達也

クライアント：

つなぎ美術館

途絶えかけていた弁天信仰を一人の女性が継承していた。それを、とあるアーティストがアートの力で再構築し、町の人々と共に一つの行事へと変化させた取り組みと過程。

Production：

Tatsuya Nakanobu

Client：

TSUNAGI ART MUSEUM

In Tsunagi, Kumamoto, the traditional “pilgrimage of Benten” has been difficult to carry out due to the aging population. In 2018, Yasuaki Igarashi started a project to revitalize the town. After three years of research, Umiwatari was created to pass on local traditions with the help of art. This documentary preserves this effort for future generations.

製作：

ぴあ(株)

1972年創業、ぴあの50年の歩みを時代とともに振り返る。「ひとりひとりが生き生きと」という創業来の理念とともに、継承すべきDNAを社内外に伝えることを目指した。

Production：

PIA Corporation

Not only does this documentary look back on PIA’s 50-year history, but also how entertainment has impacted Japanese society. With PIA’s philosophy of “Every single life full of joy,” which connects to SDGs, this film preserves the DNA to be passed on to the next generation and aims to be shared with all stakeholders.

製作：

東映(株)

クライアント：

兵庫県／(公財)兵庫県人権啓発協会

母は、娘だと思ってきた我が子から自認する性が男性であることを告げられ激しく動揺。しかし性の多様性について少しずつ理解が進み、我が子の苦悩や願いに気づき向き合う。

Production：

TOEI COMPANY, LTD.

Client：

Hyogo Prefecture / HYOGO HUMAN RIGHTS PROMOTION ASSOSIATION

Miyuki is shaken when Emika, whom she thought of as her daughter, comes out as male and starts going by Takeru. As Miyuki starts interacting with those around her, she gradually comes to understand the diversity of gender and realizes her child’s hardships and wishes to live his own life.

製作：

(株)工房ギャレット

クライアント：

安永健太さん事件に学び共生社会を実現する会

障害者作業所から帰宅途中、警察官により取り押さえられ亡くなった安永健太さん。彼は、なぜ死ななければならなかったのか。この事件を風化させず、障害への理解を求める。

Production：

Studio Garret Inc.

Client：

The Association to Learn from the Case of Kenta Yasunaga and Realize a Symbiotic Society (abbreviated as "Kenta-san's Association")

25-year-old Kenta Yasunaga died as he was held down by police officers on the way home from a facility for people with disabilities. Why did he have to die? His father Takayuki, his brother Kouta, lawyers from the trial, and his supporters look back on the incident.

製作：

東映(株)

新疆ウイグル自治区における人権弾圧の実態について、在日ウイグル人男性と、収容施設に入れられた経験のあるウイグル人女性が語り、映像資料も交え、自由と人権を考える。

Production：

TOEI COMPANY, LTD.

A Uyghur man living in Japan and a Uyghur woman who was in an internment camp address the oppressive conditions in Xinjiang Uyghur Autonomous Region, accompanied by invaluable videos. They discuss the background of oppression, forced labor of Uyghurs, and “human rights due diligence.” Through their cries, we must reckon with freedom and human rights.

製作：

大久保美希／宮島遥夏（日本大学芸術学部）

「大人になった私へ」この作文が〝大人〟と呼ばれる歳になっても書ききれていない主人公うさぎ。明日に託すこと、昨日に託されたこと、そしてきっとそれは少しずつ大人になるということ。

Production：

Miki Okubo, Haruka Miyajima (Nihon University College of Art)

As a child, Usagi was given the assignment to write a letter titled, “To my grownup self.” Even as a “grownup,” she hasn’t been able to complete it. Still facing this uncertain future, what will Usagi leave her future, “grownup” self? What did her past self wish of her future self?

製作：

大門 嵩（ケドモン）

漫画、アニメ、実写を融合させた新しい表現にチャレンジした実験映像。豪華絢爛才色兼備プリティキュートピュアJK、マコちゃんの孤高の漫画道…のはず

Production：

Takasi Okado (KEDOMON)

The story goes: somebody always follows me when I’m drawing manga at school. “A stalker?!” I hide in the trunk of a car to get away. “They won’t find me here.” Just then, the trunk is closed shut and I can’t get out. My cell phone’s battery’s dead too. Fudgsicles.

製作：

池辺 凜（東京造形大学）

想いを寄せる人にバレンタインのチョコレートを渡せない柚希など、素直になれない彼らの小さなプライドは、くだらない意地によって絡み合っていく。面倒だが愛おしい世界。

Production：

Rin Ikebe (Tokyo Zokei University)

Yuzuki can’t give her friend (and crush) a Valentine’s Day chocolate. Yuto stops eating kids’ candy because he’s going to be a big brother. Nobuyuki doesn’t know how to talk to his teenage daughter. Their pride prevents them from being honest, which is made more complicated by their stubbornness. But that stubbornness is what makes them human and lovable.

製作：

山口智誠

会社員の飯田早苗は、仕事が上手くいっていない。仕事が手につかず公園にいると、傷だらけのおじさん辰巳エンジが今にも倒れそうな感じで登場。心配をして声をかけるが…

Production：

Tomomasa Yamaguchi

Sanae Iida (played by Yuka Kori) is not doing well at work. While talking on the phone with her mother in a park away from work, a man covered in cuts named Enji Tatsumi (played by Koji Asami) arrives, looking like he could collapse at any moment. Concerned, Sanae calls out to him…

製作：

大黒友也

元自衛隊パイロット浩一は、家族を養うためゴミ収集員に転職。指導員・花と深夜のゴミ収集を行い、ゴミや人々の反応に直面。花の一途な働きぶりに、浩一は“美しさ”を感じる。

Production：

Tomoya Oguro

33-year-old Koichi Ozaki quit his job as a Self-Defense Force pilot and became a garbage collector. He and 20-year-old Hana Hashimoto collect garbage late at night. He is overwhelmed by the job, but he feels a sense of beauty from Hana working diligently despite the judgment of others. This is the story of the unsung hero.

製作：

堀井綾香

優佳は飲み会の帰り道、商店街を走る男を目撃。枕から羽根を撒き散らし、天使のように去った。その夜、再び男に遭遇。都会に疲れた女性と孤独を抱えた青年の夢の旅が始まる。

Production：

Ayaka Horii

On the way home from a company party, Yuka spots a man running down the shopping district. He scatters feathers from a pillow and runs away like an angel. That night, she encounters that man again. The man, Sotaro, asks her to take him somewhere. The journey of a city-weary woman and a lonely young man begins…

製作：

渡邉高章

父を亡くしてから学校へ行かなくなった小学生の春陽の元に、母の兄である小説家の「おじさん」がやってきた。春陽とおじさんの心の交流を描いた、ある夏の物語。

Production：

Takaaki Watanabe

After his father passes away, Haruhi stops going to school. That’s when his uncle, a novelist, visits. This is a story about the summer Haruhi and his uncle spend together.